A comment by Jerri Wieringa struck me immediately when listening to the interview with her and Celeste Sharpe talking about their course Historical Thinking and Writing in the Digital Age. Jerri remarked that the scope of the course was an important decision for them because it is a difficult balancing act. You want to provide enough information to help students think and learn, but you also don’t want to overwhelm them to the point of saturation. This is something that I have been struggling with my current project. There is so much information about handmade paper and papermaking, but I have to remind myself that I have a limited amount of time and I don’t want to overwhelm visitors to the site and discourage learning. As a result, I have focused on the timeline and exhibits. The timeline (created using Timeline JS from Knights Lab) allows me to highlight keys points in the history of paper. I then added explanatory text and images and descriptive captions. I’m hoping that the interactive and visual qualities of the timeline will engage students in learning about papermaking history. However, going back to the issue of scope I have had to limit what I include in the timeline to prevent it from being seemingly endless. To address this issue, I have included representative examples. For instance, I cited work by Jasper Johns and Robert Rauschenberg as examples of handmade paper being incorporated into fine art in the 1970s. I also focused on the Women’s Studio Workshop as one of the key books arts and papermaking centers to emerge with the revitalization of handmade paper.
I also viewed Jennifer Coggins video about her project dealing with archives at UNC-Chapel Hill. Since she is focused on a specific archive holding, her project was naturally more focuses with modules and activities. However, I would like to incorporate her approach in some way even though my project began on a much broader level. Hopefully, by focusing on the contrast between Eastern and Western papermaking I can provide my focus to the learning. I plan to do this through the Exhibits plugin in Omeka. I have broken down the topic into key geographic areas (Japan, China, Europe, etc). From here, I am providing explanatory text and selected items from the collections of images and videos. I may be worthwhile to include selected readings as well to contribute to the learning goals. Her module approach has inspire another idea to create a page (using the Simple Pages plugin) to highlight the how-to videos and readings. I have marked these items in the metadata as “how-to” so they are searchable as hyperlinks and on the Subject Lists page. I used the Library of Congress plugin to suggest terms for the Dublin Core subjects. However, I think students would benefit from having these how-to guides highlighted on a separate page.
For your portfolio post, write an essay that responds to one of the questions below, or some similar question or issue that you wish to write about:
- How has the malleability of the past in the digital world complicated our work as history educators?
- How has that malleability made it easier to teach about and help our audience(s) engage with the past?
From our readings this week, we can see that a digital environment has helped national park sites like the Whitman Mission National Historic Site to address its complicated history online. While it is difficult and time-consuming (in part because of bureaucratic policies) to change physical signage, the website offers a quick and easy way to update information. The malleability of the online environment has allowed staff to address some of the complexities in the relationship between the missionaries and the Native Americans. Unlike the signage, we do not see the clear bias toward the Anglo missionaries. The online environment has allowed them to edit their approach. They are able to meet the new need for sensitivity as our society has changed and grown.
The digital world has also opened up access to more information sources to a wider range of people. We are able to view texts that were previously only available to people able to travel to libraries and archives. For example, I once had to travel to Vancouver to read diaries belong to Pre-Raphaelite artists because they were only available through the Special Collections and Archives department at the University of British Columbia. Today, many resources like these are now available in a digitized format. Researchers are not as limited by travel funds in order to gain access to primary sources. However, it is difficult to re-create the physical experience of handling these material in person–the delicacy, the smell, the faint notes in the margins all contributing to a reverence of the object.
Another advantage of telling history in the digital world is that we can easily connect information. We can create hyperlinks to other sections of the website or to outside websites. This approach allows us to make connections more easily and faster. Linked Open Data projects like the Artists’ Books Discovery Tool at UC-Irvine help researchers to easily make connections within the collection. Users can easily find artists’ books addressing gender issues or politics, or both. The timeline then tracks them by publication date. As noted, tools like these allow us to make connections but also allow for a more natural language than the traditional library catalog. The standardization of marking text through the Text Encoding Initiative also helps to make these connections.
Looking at images, high-resolution images allow us to examine works in ways we were unable to before including viewing works in person. We are able to see subtle details we may not have seen otherwise. For example, the digitization of artwork held in the Metropolitan Museum of Art allows us to zoom in and see details like an artist painting over a previous image. We are also able to see his or her process of painting that artwork.
While there are drawbacks, such as what information is chosen to be digitized and who has access to the internet, the digital world still offers a malleability not available through only the physical or analog.
"Consistency in presentation content and tenor across interpretive media thus remains an issue warranting attention by park administrators." Coslett, Daniel E., and Manish Chalana. "National Parks for New Audiences. Diversifying Interpretation for Enhanced Contemporary Relevance." The Public Historian 38, no. 4: 101-128. November 2016.
While the staff at the Whitman Mission National Historic Site have made several strides in presenting the viewpoints of both the Native Americans and the missionaries, the inconsistency is frustrating. For instance, the authors note that one sign still illustrates the attack on the Whitmans with a floor plan showing the exact locations of their deaths. While the easier route would be to remove this sign and replace it with something less graphic, it is also an opportunity to address how the events of the killings have been treated in the past. This same approach is taken with the audio tour and could easily (although possibly impeded by bureaucracy) be applied to the signage. The authors mention that staff are sensitive to these issues and would like to see changes. They also suggest a more diverse staff. Looking briefly at Canadian websites (due to some shared experiences with Native Americans or First Nations), they offer cultural sensitivity training for many of their government employees. For example, the police are offered a course called Aboriginal and First Nations Awareness. Similar training for staff at national parks and sites in the US could also be helpful.